|
The Dine' (Navajo)
South West Native American
Indian tribe/people
Origins, History, Story, Description, Biography,
Religion, Beliefs, Language, Family, Ceremonies
ORIGINS OF THE
DINE'
Long before the theory of the 'land bridge from Asia to North America
across the Bering Strait', Dine' elders told their own story about their
own origin. The Dine' creation is the story of their origin through a
series of emergences through a series of different colored worlds.
Accounts vary as to the exact number and colors of the worlds, for example,
black, then blue, then yellow, then glittering, all of which lead up to
their final emergence in the present world.
Stories by the Dine' and scientists differ about the first Dine' people.
Traditional Dine' legends tell how First Man, First Woman, the Holy People
and all the animals of earth came up to this world from the different
worlds below. Traditional Dine' history accounts for how the first Dine
were made, who made the first clans, and who made the first hogans. Traditional
Dine' stories tell how the Holy People fought against the floods, monsters,
and evil giants.
THE FOUR WORLDS
OF THE DINE'
First/Black World: The beginning of time. In the First World, there
lived various spiritual beings. They were given Dine' names describing
certain insects and animals. Altse Hastiin (First Man) and Altse Asdzaa
(First Woman) were created. The beings couldn't get alson with one another
so they decided to leave through an opening in the east into the Second
World.
Second/Blue World:
This world was already occupied by the Blue Birds, animals and other beings
who were in disagreement and couldn't get along with one another. There
was severe hardship so they decided to leave this world. First Man made
a want of white shell, turquoise, abalone, and jet. This wand carried
everyone through an opening in the south into the Third World.
Third/Yellow World:
This world was entered first by Bluebird, First Man, First Woman, Coyote,
and other beings. This land had great rivers crossing from east to west
and north to south. One day, Coyote stole Water Baby from the river, causing
a great flood. First Man ordered everyone to climb into the reed to escape
the rising waters. As the beings climbed out of the reed into the Fourth
World, the people discovered Coyote was the one who had stole Water Baby.
Coyote took the Water Baby back to its mother and the flooded waters began
to recede.
Fourth/White World:
Locust was the first to enter the fourth world. He saw water everywhere
and other beings living there. The beings in the Fourth World would not
let the beings from the Third World to enter unless the Locust passed
certain tests. Locust passed all the tests and the people entered into
the Fourth World. Later, First Man and First Woman formed the four sacred
mountains. The sacred dirt was brought from the First World to form these
mountains.
THE FOUR DIRECTIONS
OF THE DINE'
East:
This is the direction of the dawn and it is our thinking direction. We
should first think before we do anything. When the sun comes up, we look
to the...
South:
This is our planning direction where we plan what we are going to do.
The sun sets in the...
West:
This is our life, and is where we do our living. Here is where we act
out our plan and our thoughts of the east and south directions of our
lives. The sun goes down in the.
North:
This is the evaluation portion of our lives. This is where we get our
satisfaction and we evaluate the outcome of what we first started in the
east. Here is where we determine to change things to make it better, or
to see we are on the right path and should continue the cycle.
Every day the cycle is repeated. In each cycle there is a lesson to be
learned. During the day when we fall, we stand back up and see what we
can do differently the next day. Each dawn is a new start. If you are
an alcoholic, if you are a drug abuser, if you did something in the past,
early dawn is when you can start a new life again. There is a new renewal.
This is how much Mother Earth and Father Sky love us. They give us the
chance every morning to start our life new. The Creator answers our prayers
in the early morning. We ask for their guidance and assistance to help
us with whatever we do.
THE SACRED STONE
OF THE DINE'
Turquoise (Doot kl'izhii), the Dine' Sacred Stone
Turquoise is considered one of the four sacred stones of the Dine'. For
centuries they have regarded it as a valuable talisman and take pride
in its possession. Sheepherders have carried a turquoise fetish to insure
fertility of the sheep, hunters to insure success in the hunt, and warriors
to insure victory and a safe return.
Traditionally a bead of turquoise was fastened to a lock of hair to protect
the Dine' from being struck by lightning and believed to be a safeguard
against snake bite. Every household would have a buckskin pouch of herbs,
turquoise and shell to add protection against any unexpected event or
catastrophe.
The four sacred stones of the Dine' are: turquoise, white shell, abalone
and jet.
THE PEOPLE
The Dine, as they call themselves, need no separate word for religion;
all life is lived in sacred relationship to the land. With healing ceremonies
to bring them back to harmony with each other, they sing of a beauty and
harmony which is apparent to all visitors to Dine' Country.
The Dine' legend says
that the Dine had to pass through three different worlds before emerging
into the present world - the Fourth World or Glittering World. So, the
Holy People put four sacred mountains in four different directions. Mt.
Blanca in the east. Mt. Taylor in the south, San Francisco Peaks in the
west, and Mt. Hesperus in the north, thus creating the boundaries of Dine'
land.
Centuries ago, the Dine' people were taught by the Holy People to live
in harmony with Mother Earth and how to conduct their many activities
of everyday life. The Dine' believe there are two classes of beings: the
Earth People and the Holy People. The earth People are ordinary mortals,
while the Holy People are spiritual beings that cannot be seen. Holy People
are believed to aid or harm Earth People.
When disorder happens in a Dine's life, such as illness, herbs, medicine
men (diagnosticians), prayers, songs and ceremonies are used to help cure
the ailment. Some tribal members prefer modern day hospitals on the Dine'
Reservation; some seek the assistance of a traditional Dine' medicine
man, some combine both methods.
The Dine' believe that a medicine man is a uniquely qualified individual
bestowed with supernatural powers to diagnose a person's problem and to
heal or cure illnesses. The Dine' believe they are sustained as a nation
because of their enduring faith in the Great Spirit. Because of their
strong spirituality, the Dine' believe they will continue to survive as
an Indian nation forever.
For a Dine', to be a well balanced person, he/she must have equal development
in the four values of life. When a Dine' has been well taught in all areas
of life, that person is a harmonious person and well educated. Just as
corn needs four things: sunlight, water, air, and soil to grow; so a Dine'
needs the four values: values of Life, values of Work, values of Social/Human
Relations, and values of Respect/Reverence to grow.
LANGUAGE
The Dine' people are very dynamic and creative people who strongly believe
in the power of the mind to think and create; finding expression in the
myriad symbolic creations of the Dine' language, art and ritual ceremonies.
The Dine' language has a great sense humor in day to day conversation.
Humor transforms difficult and frustrating circumstances into bearable
and even pleasant situations. The strong emphasis and value the Dine'
place on humor is evidenced in the First Laugh rite. The first time a
Dine' child laughs out loud is a time for honor and celebration.
Aside from being the mother tongue of the Dine' Nation, the Dine' language
also has played a significant role in helping the entire nation. During
World War II, the Dine' language was used as a code to confuse the enemy.
The Dine' bravery and patriotism is unequaled. Dine' were inducted and
trained in the U.S. Marine Corps to become "code talkers" on the front-line.
Shrouded in secrecy at the time, these men are known today as the famed
Dine' Code Talkers, proved to be the only code that could not be broken
during World War II.
Although not all tribal
members speak the language fluently, most Dine' have a deep respect for
it.
On December 7, 1941, the Japanese in a surprise attack, bombed Pearl Harbor
and started World War II. The Japanese eavesdropped on the Marines and
decoded every code that the Marines sent out.
In early 1942, a man by the name of Sgt. Phillip Johnston, a missionary's
son, who was raised on the Dine' Reservation guaranteed unbreakable codes
that the Marines could use in the war.
The Marines had been from the Halls of Montezuma to the shores of Tripoli,
but they came to the Dine' reservation to recruit the Dine' boys who became
known as the Code Talkers.
The history the older Dine' teach states that the Dine would one day save
the world.
The Dine have been known to remember and carry out their religion and
believed to have used their memory in decoding and coding their messages.
While other (non-Dine') Marines stumbled in the dark and recoiled from
wild terrain, the Dine' proved to adapt in night scouting and were natural
guerrilla fighters.
The Code Talkers survived on c-rations, living off the land, hunting,
making stew from chicken, goats, and horses that they picked off with
their sling shots.
FAMILY
Family is very important to the Dine'. There is the immediate family,
and the extended family. The extended family is broken up into clans,
which were created by the Holy Ones. The four original clans are 'Towering
House', 'Bitterwater', 'Big Water' and' One-who-walks-around'.
Today there are about 130 clans. When we meet another Dine' for the first
time we tell each other from what clan they are from.
Navahos identify how we are human by the clans of our mother, father,
and ancestors. This is who we are. We also have our immediate family.
We have a great responsibility to our family, for without the family we
as a people would have an end.
DWELLINGS
A Navaho house is called a "hogan" and is made of logs, brush, and earth.
Summer houses are also utilized and made of brush with a windbreak.
MUSIC AND DANCE
Nothing depicts the American Indian better than his love for dancing.
The traditional song and dance and inter-tribal pow wows are only some
of the many aspects in which the Dine' Nation continues its cultural tradition.
Most social events held on Dine' land are held mainly for pleasure and
outsiders are welcome to attend.
The traditional song and dance (a ceremony called the Enemy way Ceremony)
is an increasingly popular event. One of the reasons an Enemy way Ceremony
is conducted is to help cure an individual who has become ill after going
to war. The ceremonial dancing is to relieve tension in the patient.
Today, the cultural aspects of the ceremony live on through song and dance
contests or festivals. Participants dress in their finest traditional
Dine' attire and recreate the traditional dances of their forefathers.
WEAVING
The art of Dine' weaving reflects a wondrous spiritual quality that transcends
all time.
Weaving a rug is a slow, painstaking process that begins with shearing
the wool.
The wool is then spun by hand, often as many as 16 to 20 times. In some
cases, the wool threads are left in their natural state. In others, the
yarn is dyed with natural vegetal dyes such as those from grapes, oak,
juniper, choke cherry, prickly pear cactus, larkspur, Dine' tea, and wild
plum roots.
The colors are both rich and subtle at the same time. Shadings of peach,
orange, coral, green, tan, purple, and other natural hues create a breathtaking
display of color.
The Patterns of the rugs
are learned in childhood, and passed on from generation to generation.
There are no written directions. Designs are memorized by the artists.
That's why certain artists specialize in certain designs. These are the
patterns that their mothers or grandmothers taught them long ago.
SAND PAINTING
Sand-paintings are another unique and symbolic art form originating with
the Holy People who lived in the underworld. Sandpaintings were, and still
are, primarily ceremonial.
Depicting the tools used by the Holy People, which were strictly intended
for ceremonial purposes, sand paintings represent an array of ceremonies
and sacred songs. However, today many artists create pictures of ceremonial
figures for commercial purposes. Sand painting in itself is not forbidden
as long as Holy people are not depicted.
Tribal legend indicates that most Dine' arts and crafts sprang from roots
that began with the Holy People. Virtually everything a Dine' says or
does is somehow linked with his cultural past, consequently they help
him set the course for the future. Dine' land is, as it has always been,
a land in transition, a blending of the past and the present, reaching
out confidently to embrace the future.
This sand-painting is
similar to one that is done during a Blessing Way ceremony. The representation
of Sun Father is in the center, the four sacred plants like spokes from
the center, and four deities. As with all ceremonial paintings, each symbol
has specific meaning with its own story and chants.
The Eagle Dancer kachina
is beautifully adorned and displayed in sand art. The Dine' believe the
universe to be delicately balanced. Only man can upset it, causing disaster
and/or illness. Each illness or disaster has a particular part that is
related to a portion of Dine' history. Balance is restored in the universe
by healing the offender with chants, herbs, prayers, songs, and sand-paintings.
The Healer (Medicine Man) or Singer goes to the offenders hogan. Restoration
begins with chanting accompanied by rattles and recounting adventures
of Dine' heroes.
The sand painting is begun on a bed of clean white sand on the dirt floor,
Mother Earth.
Sand paintings are created with an opening facing east - the same direction
as the door to the hogan, to make it difficult for evil to enter. In the
sand-painting design itself, the rainbow yei is used to provide protection
for the design.
Each design and figure must be produced carefully and in a knowledgeable
way, using only the five sacred colors of sands. Every detail must be
completed with exactness, or the harmony of the universe will not be restored,
but worsened.
Decorative variations can be left out, but never introduced to a ceremonial
sand-painting.
Some symbolic designs provide additional power or strength; i.e., buffalo
horns added to increase the dosage. When the sand-painting is completed,
the patient is seated in its center.
The Medicine Man then touches a particular place on the painting and relays
the medicine by touching the patient, restoring harmony and health.
The sand painting is then erased and swept into a blanket. Before sunset,
it is carried outside and blown into the wind, returning it to Mother
Earth so that trapped evil forces will not escape. sand-paintings which
are done at night ceremonies are similarly destroyed before sunrise.
There are more than a thousand ceremonial sand-paintings; less than half
are produced today. Many are only in the memories of Medicine Men and
unless they are recorded in some way, will be lost as these old men die
off.
In addition to healing, sand-paintings have been used to relate folklore
stories. One of the most common is the Coyote Stealing Fire part of the
Dine' creation story.
SACRED SITE
CANYON DE CHELLE
Canyon De Chelle lies in the heart of the land of the Dine' between the
Four Sacred Mountains. This is a very sacred and beautiful place. It is
a place where all the life giving sources are abundant. It is a place
of great peace where important lessons can be learned. There are ancient
ruins in the canyon.
The people who lived in them form a basis of who and what we are today.
This is one of the most important places for a Dine' to visit today. For
millennia our people have been coming to this canyon to receive of the
great strength and power that is found here. The Dine' past and present
is hidden within the walls of this hallowed place.
Rather than reaching skyward from the plains as most mountains do, the
canyon is hidden from the world until one happens upon it. Some of the
most important things that have happened for our people has happened within
this canyon. On the top of Canyon De Chelly is one of the places the Holy
Ones first set their foot. This is a very holy place. It is here within
the canyon that the Holy Ones taught us how to live.
SPIDER ROCK
Spider Rock stands with awesome dignity and beauty over 800 feet high
in Arizona's colorful Canyon de Chelly National Park (pronounced da Shay).
Geologists of the National Park Service say that "the formation began
230 million years ago.
Windblown sand swirled and compressed with time created the spectacular
red sandstone monolith. Long ago, the Dine' Indian tribe named it Spider
Rock.
Stratified, multicolored cliff walls surround the canyon. For many, many
centuries the Dine' built caves and lived in these cliffs. Most of the
caves were located high above the canyon floor, protecting them from enemies
and flash floods.
Spider Woman possessed supernatural power at the time of creation, when
the Dine' emerged from the third world into this fourth world.
At that time, monsters roamed the land and killed many people. Since Spider
Woman loved the people, she gave power for Monster-Slayer and Child-Born-of-Water
to search for the Sun-God who was their father. When they found him, Sun-God
showed them how to destroy all the monsters on land and in the water.
Because she preserved their people, the Dine' established Spider Woman
among their most important and honored Deities.
She chose the top of Spider Rock for her home. It was Spider Woman who
taught the Dine' ancestors of long ago the art of weaving upon a loom.
She told them, "My husband, Spider Man, constructed the weaving loom making
the cross poles of sky and earth cords to support the structure; the warp
sticks of sun rays, lengthwise to cross the woof; the healds of rock crystal
and sheet lightning, to maintain original condition of fibers. For the
batten, he chose a sun halo to seal joints, and for the comb he chose
a white shell to clean strands in a combing manner." Through many generations,
the Dine' have always been accomplished weavers.
From their elders, the Dine' children heard warnings that if they did
not behave themselves, Spider Woman would let down her web-ladder and
carry them up to her home and devour them!
The children also heard that the top of Spider Rock was white from the
sun-bleached bones of the Dine' children who did not behave themselves!
One day, a peaceful cave-dwelling Dine' youth was hunting in Dead Man's
Canyon, a branch of Canyon de Chelly. Suddenly, he saw an enemy tribesman
who chased him deeper into the canyon. As the peaceful Dine' ran, he looked
quickly from side to side, searching for a place to hide or to escape.
Directly in front of him stood the giant obelisk-like Spider Rock. What
could he do? He knew it was too difficult for him to climb. He was near
exhaustion. Suddenly, before his eyes he saw a silken cord hanging down
from the top of the rock tower.
The Dine' youth grasped the magic cord. which seemed strong enough, and
quickly tied it around his waist. With its help he climbed the tall tower,
escaping from his enemy who then gave up the chase.
When the peaceful Dine' reached the top, he stretched out to rest. There
he discovered a most pleasant place with eagle's eggs to eat and the night's
dew to drink.
Imagine his surprise when he learned that his rescuer was Spider Woman!
She told him how she had seen him and his predicament. She showed him
how she made her strong web-cord and anchored one end of it to a point
of rock. She showed him how she let down the rest of her web-cord to help
him to climb the rugged Spider Rock.
Later, when the peaceful Dine' youth felt assured his enemy was gone,
he thanked Spider Woman warmly and he safely descended to the canyon floor
by using her magic cord. He ran home as fast as he could run, reporting
to his tribe how his life was saved by Spider Woman!
CREATION
The Dine' belief is that their Creator placed them on the land between
the following
4 mountains representing the 4 cardinal directions:
| * |
Mount
Blanca (Tsisnaasjini' - Dawn or White Shell Mountain) |
| * |
Sacred
Mountain of the East near Alamosa in San Luis Valley, |
|
Colorado |
| * |
Mount
Taylor (Tsoodzil - Blue Bead or Turquoise Mountain) |
| * |
Sacred
Mountain of the South north of Laguna, New Mexico |
| * |
San Francisco
Peaks (Doko'oosliid - Abalone Shell Mountain) Sacred |
|
Mountain
of the West near Flagstaff, Arizona |
| * |
Mount
Hesperus Dib=E9 Nitsaa (Big Mountain Sheep) - Obsidian |
|
Mountain |
| * |
Sacred
Mountain of the North |
| * |
La Plata
Mountains, Colorado |
These mountains represent
the major parts of the traditional Dine' religious beliefs, helping them
to live in harmony with both nature and their Creator.
RELIGION AND CEREMONIES
The majority of their ceremonies are for curing mental and physical
ills and for restoring universal harmony, once disturbed. In these ceremonies,
many dry paintings or sand altars are made, depicting the characters and
incidents of myths.
Most Dine' ceremonies are conducted, at least primarily, for the purpose
of healing disease; and while designated medicine ceremonies, they are,
in fact, ritualistic prayers. There are so many ceremonies that no student
has yet determined their number, which reaches into scores, while the
component ritual prayers of some number hundreds. The principal ceremonies
are those that require nine days and nine nights in their performance.
Each is based on a mythic story, and each has four dry-paintings, or so-called
altars. besides these nine days' ceremonies there are others whose performance
requires four days, and many simpler ones requiring only a single day,
each with its own dry-painting.
The Dine' culture is kept alive through ceremony. There are many
ceremonies for different things. The ceremonies were given by the Holy
ones. Through these ceremonies, the important lessons are taught to help
preserve us as a people, The ceremony teaches about history and responsibilities
as a human being inside the universe and the Dine place in it. They teach
about this world, and how one can also help with this world. It also teaches
patience.
Through ceremony the language is kept alive. The ceremony is also the
place to talk with the Holy Ones and the Creator. They help to bless the
sick in body and mind. Ceremonies are also used to celebrate joyous occasions
and they are also used to help solve problems within Dine' society and
within the family. During these counsels everyone must agree on what is
best, or they will come together again until they can. Dine' music is
a very important part of the ceremony and also has great power.
|